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Datoteka:When the Children have Gone to Bed. From A Home (26 watercolours) (Carl Larsson) - Nationalmuseum - 24207.tif

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Carl Larsson: When the Children have Gone to Bed. From A Home (26 watercolours)  wikidata:Q18587336 reasonator:Q18587336
Umjetnik/stvaratelj
Carl Larsson  (1853–1919)  wikidata:Q187310 s:sv:Författare:Carl Larsson
 
Carl Larsson
Alternativna imena
Carl Olof Larsson
Opis švedski watercolorist, ilustrator, slikar, tiskar, graphic artist i crtač
Datum rođenja i smrti 28. svibnja 1853. Edit this at Wikidata 22. siječnja 1919. Edit this at Wikidata
Mjesto rođenja i smrti Storkyrkoförsamlingen Sundborns
Vrijeme rada 1873 Edit this at Wikidata–1919 Edit this at Wikidata
Mjesto rada
Stockholm; Pariz; Grez-sur-Loing; Falun Municipality Edit this at Wikidata
Normativni nadzor
artist QS:P170,Q187310
image of artwork listed in title parameter on this page
Naziv
English: When the Children have Gone to Bed. From A Home (26 watercolours)
Svenska: När barnen lagt sig. Ur Ett hem (26 akvareller)
Vrsta slika
object_type QS:P31,Q3305213
Opis
English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.

The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family.

The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.
Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.

Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen.

Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.
Original caption
InfoField
English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.

The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family.

The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.
Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.

Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen.

Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.
Datum nepoznat datum
Unknown date
Medij
Svenska: Akvarell på papper. Glasad
Dimenzije
  • visina: 32 cm; Širina: 43 cm
    dimensions QS:P2048,32U174728
    dimensions QS:P2049,43U174728
  • Framed: visina: 38 cm; Širina: 53 cm; depth: 3,5 cm
    dimensions QS:P2048,38U174728
    dimensions QS:P2049,53U174728
    dimensions QS:P5524,3.5U174728
institution QS:P195,Q842858
Inventarni broj
NMB 266
Povijest izlaganja
Natpisi (inskripcije)
Svenska: Signerad: C.L. [monogram]
Referencija
Izvor/fotograf Erik Cornelius / Nationalmuseum
Dopuštenje
(Naknadna uporaba ove datoteke)

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

Autor je umro 1919., tako da je ovo djelo u javnom vlasništvu u zemlji podrijetla i u drugim zemljama s rokom trajanja autorskih prava za života autora plus 100 godina ili manje.

Ovo je djelo u javnom vlasništvu u SAD-u zato jer je objavljeno (ili registrirano pri Uredu za autorska prava Sjedinjenih Američkih Država) prije 1. siječnja 1929.

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This digital reproduction has been released under the following licenses:

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Ova datoteka je identificirana kao slobodna od poznatih ograničenja po zakonu o autorskim pravima, uključujući sva povezana i srodna prava.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.


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sadašnja01:58, 8. listopada 2016.Minijatura za inačicu od 01:58, 8. listopada 2016.3.562 × 2.435 (24,83 MB)AndreCostaWMSE-bot{{Artwork |other_fields_1 = |artist = {{Creator:Carl Larsson}} |title = {{en|When the Children have Gone to Bed. From A Home (26 watercolours)}} {{sv|När barnen lagt sig. Ur Ett hem (26 akvareller)}} |wikidata...

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